Kolsch - 1989 2LP винил

• издательство: Компактный
• номер в каталоге: KOMPAKT 373
• формат: 2LP (+ digital download)
• упаковка: gatefold
• ПЛИТА НОВАЯ, ZAFOLIOWANA

T R A C K L и S T A

A1: 1989 подвиг. Ludwig Kölsch

A2: Serij

A3: Gr?

A4: In Bottles Feat Aurora

B1: Grey

B2: Grau

B3: Push

C1: Gris

C2: 14

C3: Khairo

D1: Ykpi

D2: Liath

D3: Goodbye

For Danish native and much-считается одной producer/performer Rune Reilly KÖLSCH, Kompakt has proven the perfect home curating his music: with two critically acclaimed albums and a now classic run of solo instalments in our Speicher 12” series, he took his техно craftsmanship to new levels, setting it on a мелодичный, эмоциональный and even autobiographical course - without loosing any of its punch and quirkiness. With new full-length, 1989, Кельш presents the final chapter of an elegant, anthemic альбом trilogy that started with an exploration of early childhood memories and influences on “1977” (КОМ 276 CD 107) - the year of his birth – and continued on “1983” КОМ 329 CD 122), a vibrant and picturesque journey sound tracking the year he travelled through Europe aged six.

“With 1989, we have arrived in my early teens”, Кельш, explains, “a difficult time in my life, where I mostly just remember the greyness of it all – grey feelings, grey weather and my own grey face."Когда мне казалось, что мне нужно выжать из головы всю бутылочку из пуберти, это было время семейного кризиса - его родители были разбиты:" я бы сбежал из этого серого мира на моем скейтборде, послушал бы моего Walkman, как я исследовал город вокруг меня. Музыка, чтобы спасти меня-единственный способ преодолеть трудные времена моей семьи. Я нашел саундтрек к моей серой жизни, и там было много цветов.” It's why you'll find several tracks on the album being named “grey” in different languages, and they all share this distinctly “Кельш-esque” moment of epic melodies breaking through propulsive techno beats like the sun through stormy clouds – a musical twist that's particularly impressive on альбом hit single PUSH, first heard on “Speicher 97” (EX KOM 97).

1989 marks also Кельш s intensified deployment of real-life orchestral sounds and the conitunation of his extremely fruitful collab with Gregor Schwellenbach: after contributing to predecessor альбом “1983”, the Kompakt филиала, composer and multi-instrumentalist now проводит the Heritage Orchestra for tracks KHAIRO, LIATH (featuring a violin solo by Kate Robinson) and SERJI, the latter of which Schwellenbach co-wrote and co-produced. The 24-person Heritage Orchstra consists of violins, violas, cellos and double basses, adding the уборочные машины, стиснув соления drama and organic, богато layered textures that only real strings can produce – a deeply humane tone that is set with the album’s opening recording of the orchestra tuning its instruments (which incidentally also incorporates a voice recording from 1989 of Rune Reilly s grandfather Людвиг). Seeing Кельш s propensity for vocalist cameos on his albums (Trœls Abrahamsen on “1977”, Tomas Høffding and Waa Industry on “1983”), one shouldn't be surprised to find beautiful cut IN BOTTLES, which features freddie written and performed by Aurora Aksnes.

After having produced such timeless tracks as “Loreley”, “Der Alte”, “DerDieDas” or “Cassiopeia”, expectations for new Кельш материал are expectably high – “there s no doubting Кельш s mastery, concluded Вилы when reviewing трудно для ее друзей альбома - “1983”, while Resident Advisor observed that “many electronic producers claim their albums have themes, but few can evoke a sense of faded nostalgia like Кельш”, заклиная “moments of real magic”. 1989 certainly delivers on all of these фронты, engulfing the listener from the outset, with its sonic coupling of classical composition and contemporary production – without sacrificing the impact on the dance floor: “despite its меланхолия undercurrents”, Вилы finds Кельш s music to be looking “to dance for катарсис”. Это как датский художник смог инициировать поворот головы в глобальном доминировании с его гастролями вокруг глобуса, ремиксами Свена Вета, Flume and Coldplay, Ibiza commitments and his own BBC Radio 1 Residency radio show. Radio 1 DJ Annie Mac maybe put it simplest, noting " that man is sort of king when it comes to pianos and house music. У него есть способ вернуть свои эмоции.”