Роберт Шредер / Пірокласт

пісні:

Reviews:

Robert Schröder є однією з великих класиків космічної електронної музики, хоча він рідко змінювався серед них. He made his debut at the Innovative Communication label founded by Шульц himself, and since then he has produced a considerable collection of highly розглянув albums, often based on personally constructed and modified instruments and sequencers. На Пірокласті, звичайно, було сімнадцять, композитор пропонував сучасну музику тільки в звуковій якості, всі його інші аспекти дивилися назад до минулого, але одні з кращих асоціацій, ностальгічні звуки, наївно блискучі композиційні процедури. Let the benchmark be a comparison that breaks in my head every time I listen to this album - we have a combination of Tangerine Dream from the turn of the eighties and nineties and Enigma from the period of their best first three albums, and I am writing it in an absolutely positive context (and not only because that the sixth piece regales us with Gregorian chant). Є щось неймовірно приємне в методі, який Мікаул Крету і його колаборатори narrated rich melodies against a background of simple, but not poor, rhythms (something that even Enigma itself has not able to repeat since the release of the third disc) and truly ambient effect licks. Here, a similar magic occurs in the suit of Berlin sequences and stellar spaces, at times closer to mandarin dreams (especially in Exothermic Energy), at other times it falls again towards an enigmatic даунтемпо (most in Inside Out and Fertile Soil), but usually oscillating somewhere between those apparently divergent poles, so brilliantly, though perhaps not intentionally, associated by шредер in a musical journey not striving for ambitious programming or instrospective experiences, but providing a powerful charge of such ordinary listening pleasure.